Roland Juno 60 Slider and Switch Gaskets Set

$30.00

The set includes all of the dust protectors needed for a Roland Juno 60 synthesizer, to replace those on both the main panel board and the Bender board, including the 7 toggle switches. These slider gaskets are made to exact specifications on a professional laser cutter out of 1.5mm stiffened and resin-bonded black acrylic felt which does not shed fibers like other forms of felt.

Description

The set includes all of the dust protectors needed for a Roland Juno 60 synthesizer, to replace those on both the main panel board and the Bender board, including the 7 toggle switches.

These slider gaskets are made to exact specifications on a professional laser cutter out of 1mm stiffened and resin-bonded black synthetic felt which does not shed fibers like other forms of felt.

Unlike the synthetic rubber that was used for the originals, this felt will not break down and fall apart over time, so your Juno’s sliders can stay dust-free and looking sharp indefinitely.  The laser melts the cut edge as it cuts each slit or hole, effectively cauterizing it so that there are no loose fibers to fall into the slider opening.

The slider gaskets will need to be glued in place with epoxy (not included).

Here’s some more information about the material used to make these.

The material we use is a different material from the originals and it is true that it will feel different.  However, we tested 6 different gasket materials before we chose this material and have used it with success in hundreds of synths in our own shop, and sold hundreds of sets of these. It is flexible but will not shed: you can rub it with your hand and no fibers come off, even if your hand is wet.

Why use felt instead of just using the EVA foam material that Roland originally used? We briefly considered offering an EVA option but decided against it because there seemed to be no good reason to knowingly make a product that would suffer the same fate as the original sets in a couple decades. We aim to improve on the shortcomings of any synth’s original construction, design and materials wherever we can.

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