I worked on this Korg Trident shortly after it had been serviced by a well respected tech, but it had been shipped home to Philadelphia and was unfortunately damaged in transit… a tragic event considering it was in great condition and was apparently working perfectly. The owner repaired the physical damage to the wood end pieces but took it to us because the manual controls and the piano / clavinet presets for the synthesizer section were inoperable. Continue reading “Korg Trident MKI”
Here’s a PSA about something we learned from a Buchla Music Easel (the new version) that we didn’t end up having to fix. We were told this Easel had an issue where sometimes, one or two of the keys on the touch keyboard just wouldn’t work. Continue reading “new Buchla Music Easel – intermittent or “dead” touch keys?”
A cleanup and calibration of another Sequential Pro One. Happy New Year my friends, and may St. Dave Smith protect you!
I used to tell people I didn’t work on spring reverbs, but I guess now I do. Continue reading “Boss RX-100”
We’re on vacation until June 25! I will be doing my best to answer emails, but won’t be able to work or have pickups/drop-offs until we get back. See you then.
The Moog Rogue is very, very similar to the Moog MG-1. It has pretty much the same internal design in the synth section, but the designers made some questionable choices about which parameters to allow control of– so unlike the MG-1, both oscillators on the Rogue have to have the same waveform, and be in the same octave. Continue reading “Moog Rogue”
Hi friends… So after 7 years of working on synths, I’m transitioning to doing this full time and I’ve decided to start blogging about my repairs in the hope that some of my advice might help other people on their synth repair projects! I always take notes on my repairs, so I figured I might as well flesh them out a bit more and share them here.
My focus will be on sharing less-than-obvious practical advice pertaining to the idiosyncrasies of certain synths (desoldering temperatures, part substitutions, where to get specific parts, etc) that I figured out through trial-and-error, so that maybe I can help someone else avoid the “error” part of the process. The internet has been a great resource for me throughout my time spent working on electronics, and I’d like to give back by helping out the next person who does a google search for “help arp omni traces ripping off help help help nooooo whyyyyy.”
Of course– I’m running a business so I’m also trying to connect with clients, so I’d be remiss not to say here now— if you have any analog or vintage synths, combo organs or Rhodes/Wurlitzer pianos in need of a little help, please get in touch!