This is a really good one. SIEL was an Italian company that always quite clearly had their own way of doing things. It is a 6-voice DCO polysynth with the ability to make just beautiful, delicate, lush tones. The square wave can go so low that it just sounds like a lawn mower in the distance. That’s not a very useful feature, but for some reason it always delights me when I encounter it. Continue reading “SIEL DK-600”
Here’s another article I wrote for Reverb.com, devised as a sort of year-end-list for 2017, profiling my favorite vintage polysynths I’ve worked on that can still be had for under $1000. This one’s for all of you who feel like you can’t afford to own a cool vintage synth. Some of these can be found for as little as $300!
I did the Kiwi 8P upgrade on this Roland JX-8P this week and just by coincidence did a Kiwi 106 just last week as well. These are very deep and powerful synth upgrades designed by a New Zealand-based company called Kiwitechnics, and they have similar ones available for a few other 80s polysynths. Continue reading ““Kiwi-8P” Roland JX-8P Upgrade (and a Kiwi 106)”
Here’s a PSA about something we learned from a Buchla Music Easel (the new version) that we didn’t end up having to fix. We were told this Easel had an issue where sometimes, one or two of the keys on the touch keyboard just wouldn’t work. Continue reading “new Buchla Music Easel – intermittent or “dead” touch keys?”
We now have a waiting list for big instruments that won’t fit on our work table like combo organs, Wurlitzers and Rhodes pianos because we only have room to work on one of them at a time. So if you have a big instrument like this that you’d like us to work on any time in the next several months, it might be wise to get in touch now so you can get into the queue. We’re currently scheduling them out into April already. Continue reading “Farfisa Combo Compact (#3?)”
Another idiosyncratic instrument from the Italian company Crumar, who brought us such underappreciated un-classics as the Multiman S and a T1 organ that Darian’s working on right now. This is an example of a type of “electronic piano” that was briefly popular in the 1970s, when top octave generators and multi-stage frequency divider ICs allowed the architecture that had been used in the previous decade’s combo organs to be made much more small and compact. Continue reading “Crumar RoadRacer”
We had a week full of Junos (Junoes?), with three Juno 60s and four Juno 106es here all at once. These are the ones I did last week in between grinding away at various aspects of an insane Minimoog Model D restoration I’m working on and building a new power supply for a Rhodes Chroma.
A cleanup and calibration of another Sequential Pro One. Happy New Year my friends, and may St. Dave Smith protect you!
Check out my latest article on Reverb.com to read about the process of repairing and restoring a Mellotron M400!
Working on a beautiful, elegant machine like the SE-500 makes me feel the same way as when I work on a Rhodes piano: a bit less ashamed to be a human. Continue reading “Korg Stage Echo SE-500”